Sunday, October 26, 2008

Week of 10/27/08 to 11/2/08: Anomalous LA Happenings:


October 31st @ The El Rey Theatre /// Roky Erickson
Roky Erickson brings his trademark brand of idiosyncratic, horror obsessed guitar pop to the El Rey Theatre on Halloween night. Erickson's still got serious pipes after all these years. Black Angels open and, if their recent studio collaboration is any indication, may act as Roky's backing band. We shall see...


November 1st @ the Smell /// Sam McPheeters spoken word
If Sam McPheeters spoken word is anything like his previous musical endeavors with Born Against, Men's Recovery Project, and the Wrangler Brutes, Saturday's Smell attendees are in for a real treat. At once surreal, whismical, misanthropic, and absurd, the last McPheeters performance I witnessed saw him belligerently spout off some famous lines from Shakespeare's Henry IV part 1 and storm off into a frigid, northeastern winter night shirtless.

Saturday, October 25, 2008

10/26/08 @ the Redwood Bar and Grill == Human Eye / Static Static / Imagine the Band


Detroit, once a city of industrial success and seemingly endless potential, now stands as a feeble paradigm of American loss and abandonment. The recent economic downturn which shook the nation at large to its core resonated with a vengeance in Detroit, forcing the city’s auto companies to cut even more jobs than what now seems to be their semi annual quota and leaving thousands without work. The city’s tumultuous, seemingly prophetic future present alludes to what could be the ultimate conclusion of the American dream deferred. Considering their city’s state and its history, rock and roll and otherwise, it isn’t hard to fathom what inspires Human Eye’s twisted sounds.

Few bands approach the garage template from as far out in left field as Human Eye. Ambitious, some say to a fault, Human Eye crams each song with burned out shards of punk, glam, psychedelia, metal, and perhaps most notably, vintage sci-fi theatrics. At their most unhinged, Human Eye is a wrecking ball of dense rock and roll shrapnel covered in iridescent space slop. The band constructs an exhaustive aural dystopia of ugly libertine fantasy and smashes it just for kicks. The band forgoes the conventional approach of interweaving influences; instead Human Eye opt to kitchen sink it all at once, offering a collision of Swell Maps at their most frizzled, Debris’ proto-punk swirl, and Chrome's post apocalyptic swagger. The effect can be disorienting, but remains compelling even when entropy seems to be taking over. Only when Human Eye comes up for air does their brand of histrionic future cheese begin to harden and become less palatable. But the steam that is lost is not due to a lack of ambition. Even when their songs stumble and the lyrics are a bit too baked, Human Eye’s strut remains deliberate, uncompromising, and provocative.

Like any good science fiction text, the fantasy world that Human Eye conjures is at once an escape from and affirmation of the reality that produced it. Few bands working from this aesthetic standpoint nail it like Human Eye. There could be something in Detroit’s water; I wouldn’t discount it. But I imagine it’s a healthy dose of Detroit hard living that inspires the band’s fantastic wreck.

www.myspace.com/humaneyedetroit

See Human Eye Sunday, Oct. 26th at the Redwood Bar and Grill and Monday the 27th somewhere in Long Beach (no info available on that one). Static Static and Imagine the Band open.

Introduction

Since moving to Los Angeles a couple months ago, I have yet to find a blog that keeps folks up to date on the kind of musical happenings I like to be a part of. Sure I've found multiple blogs devoted to generating buzz for the droves of mediocre, fame-seeking indie pop bands that populate the city, but not one that functions for the city's weirdos – the artists and musicians working only to satisfy their innate desire to produce sounds with less pretense and fewer contexts. In the city that was once home to the Los Angeles Free Music Society and currently acts as the headquarters for Not Not Fun Records, a site needs to exist that promotes and documents what I would consider a pretty damn decent time for new music. I’m not sure if I’m qualified for the job, but I’m willing to take a stab at it.First and foremost, the site will act as a database for fringe artists’ upcoming shows, releases and news. In its infancy, the emphasis will be local, but I also hope to cover national acts, certainly national acts that make their way to LA. We’ll see where the process takes it from there.